Abstract
The concept of transcendantal facticity gathers a double “interiority”: a visceral and a transcendental one. Both are in a relation of not-complete dependence. Starting from this phenomenological fact, we examine the potential effects that the technique (and its many technological prothesis) has on the immanence of sense as an embodied sense in the making. We point out a progressive disappearance of the transcendental interior, boosted by the growing exteriorization of the constitutive operativity. The whole process comes to an algorithmically upgraded but rootless kinesthetic system that hampers the transcendantal inside, unsettling the serenity of its basic synesthesia.
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