Keywords
filosofía
Fedro
Ludwig Wittgenstein
demasiado tarde theatre scene
philosophy
Phaedrus
Ludwig Wittgenstein
too late
How to Cite
Abstract
The approach I’d like to show and discuss here is that these theories and ways to see the world that we usually call Philosophy are formed and expressed as drama. In or behind the abstract dryness of concepts and in tempered passion of arguments lies the warp of relational structures and actions where theatre finds its content. And even more boldly, it might suggest the thought that Philosophy is made out of scenes like those we can find in theatre; and even that what we use to conceive as the philosophical background of theatre plays can be perhaps better seen the other way round, that is, as a series or a variety of theatre forms —sceneries, plots— that shape Philosophy itself.
References
Butler, Judith (2007), Vida precaria: el poder del duelo y la violencia (Fermín Rodríguez, trad.). Buenos Aires, Paidós.
Cavell, Stanley (2009), Más allá de las lágrimas (David Pérez Chico, trad.). Boadilla, Antonio Machado.
Cavell, Stanley (2003), Disowning knowledge in seven plays of Shakespeare. Cambridge, Cambridge University Press.
Cavell, Stanley (1979), Must we mean What we say? Cambridge, Cambridge University Press.
Cavell, Stanley (1979), The claim of reason: Wittgenstein, skepticism, morality and tragedy. Oxford, Oxford University Press.
Thiebaut, Carlos (2023), «La atención en la experiencia del daño», en Matilde Carrasco y Francisca Pérez Carreño (eds.), En torno al arte: estética, historia y crítica. Boadilla, Antonio Machado, pp. 107-132.
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