Keywords
espectador
filosofía
filosofía del espectador Cinema
Spectator
Philosophy
How to Cite
Abstract
Even in films as perfect as Blade Runner (Ridley Scott, 1982) or Rear Window (Hitchcock, 1954), there are those strange moments that «take» you out of the film. If cinema were, as Ilya Ehremburg said, a dream factory, these jarring moments could be understood as those circumstances that, for whatever reason, break the dream and make us wake up violently, even if only for a moment, to return once again to the pleasant illusion of the cinematic dream. In the wake of this relevant book, the author proposes a philosophy of the spectator that takes the reality of cinema seriously.
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