El juego teatral según Husserl (Comentario al texto nº18 de Hua XXIII).

Abstract

The following text is part of the appendices closing Marc Richir’s important work Phantasia, imagination, affectivité. Its § 7, entitled “On the transitional object and phenomena (Winnicott): the access to reality and its paradox” contains, in its § A, “Husserl on playing theatre”. In this text, Marc Richir comments on Husserl’s text nº18 from Hua XXIII (essentially from p. 509 to p. 521). This will lead Richir to the decisive concept of “perceptual” phantasy, essential to the richirian architectonic. Thanks to this concept of “perceptual” phantasyRichir will thereafter reinterpret that of Winnicott’s transitional objet – and space. The following texte is strategical within Richir’s work for it connects phantasy with the very question of reality. This shall help avoiding many misleading interpretations of phantasy in Richir’s architectonic as a way of setting reality aside. Yet, phantasy provides a fundamental access to reality; in a sense, more basic than that of perception itself (understood as Wahrnehmung). It is precisely what is pointed out by the analysis of theatre.