Exploration of writting for a stage, cross-looks on The Royal Game by Stefan Zweig and The Master of Go by Kawabata Yasunari
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Keywords

Stefan Zweig
Yasunari Kawabata
théâtralité
metteur en scène
Seconde Guerre mondiale
polyphonie
manipulation Stefan Zweig
Yasunari Kawabata
Theatricality
Director
Second World War
Polyphony
Manipulation

How to Cite

Schocke, C. . (2020). Exploration of writting for a stage, cross-looks on The Royal Game by Stefan Zweig and The Master of Go by Kawabata Yasunari. Eikasía Revista De Filosofía, (92), 85–102. https://doi.org/10.57027/eikasia.92.423

Abstract

This study is based on two texts dealing with strategic games: the chess game (in The Royal Game) and the game of Go (in The Master of Go). It draws a parallel between these two works which both investigate the mechanism of using board games to elaborate a complex and polyphonic story where the reader himself seems to be part of the pawns.

https://doi.org/10.57027/eikasia.92.423
PDF (Français (France))

References

Stefan Zweig, Stefan (1998), Le joueur d'échecs (trad. révisée par Brigitte Vergne-Cain et Gérard Rudent). Paris, Livre de Poche.

Kawabata, Yasunari (1997), Le Maître ou le tournoi de go in Kawabata romans et nouvelles (ed. Fujimori Bunkichi; trad. Michel Bourgeot, Lucien Dumont, Fujimori Bunkichi, Philippe Pons, Sylvie Regnault-Gatier, Suzanne Rosset et René Sieffert). Paris, Le Livre de Poche. Col. La pochothèque.

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