Muerte del autor y literatura digital

Abstract

This  paper  aims  to  systematize  the  post-­‐‑structuralist  topic  of

the   death   of   the   author   through   Roland   Barthes,   Michel

Foucault   and   Umberto   Eco   theoretical   works.   The

differences  between  their  views  are  shown  and  a  useful  and

specific   idea   is   settled,   in   order   to   confront   the   abstract

concept   with   the   literary   works:   digital   literature   is   chosen

as  a  privileged  example.