Abstract
What is the role of silence in the representation of war? To
what extent silence constitutes an expressive resource which
is implicated not only in the discourse but also in the form,
thereby increasing the possibilities of representation in art?
The present paper tries to outline an answer for these
questions in order to show that silence can reach far further
than the limits commonly associated with it. It therefore
plays an extremely important role at sociopolitical and
cultural levels.

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