Abstract
As I’m walking among the sleepy bodies of the
Syrian refugees at Belgrade’s bus station park,
trying to address all my human and performative
efforts towards the Other, my whole life appears
suddenly in front of me as “ on a stretcher”
: have I ever left this place where my grandmother
founded the Serbian branch of the Red Cross, and
where my grandfather was hiding the Bakuninists
under his roof, on their way from Russia to the
United States ? Here, the questions such as “Is art
still possible?” and “what is its current dying
form?” have never occurred to me, nor the
questions about the true meaning of resistance, the
migrating power of people and its dying absence or
presence in everyone’s life.
Literaturhinweise
Jason Read: in Companion to Critical and Cultural Theory, Work and Precarity,
pp.269-280, Wiley Blackwell Press (ed. by Imre Szeman, Sarah Blacker)
Nina Zivancevic: 11 Women Artists Nomads and Slavs, NON-LIEU, Paris, 2010
Sami Khatib: Towards a politics of «pure means»: Walter Benjamin and the questions of violence, Interview with David Graeber, November 2015, London, conducted by Nina Zivancevic, Judith Barry: untitled: Global Displacement: http://www.pewresearch.org/fact-tank/2016/10/05/key-facts-about-the-world-refugees/
Pablo Posada Varela: «Le viscéral et le transcendantal. Préliminaires phénoménologiques sur la frontière», Eikasia, nº 78, 2017, 359-364
Pablo Posada Varela: «Le dedans entamé. Enjeux et paradoxes du frontalier contemporain», Eikasia, nº 78, 2017, 413-421
La Maison de Metallos, Focus “Exil” du 4 au 24 mai 2018: deux spectacles, “Crocodiles” de Cendre Chassanne et Carole Guittat, et “Pays de Malheur” de la compagnie Les Papavéracées.
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