Abstract
Thearticle focuses on the relationship that occurs between identity and writing in Angelo Vannini’s short essay L’intermissione dei cigni. Cinquantanove giorni alla frontiera della letteratura (Arcipelago itaca Edizioni, Osimo (AN), 2017), recalling Yves Bonnefoy’s, Edmond Jabès’ and Paul Celan’s voices which are sometimes relied by existential and stylistic experiences in common. It is in the path of these original literary encounters that Vannini’s writing approaches the form of récit en rêve in his constant dealing with dream and reality, the two most important moments of human being. The article ends up with a reflection on «ethics» as a choice of language, bringing up some inner phenomenological issues
References
Bonnefoy, Yves (2001), Les Planches courbes. Paris, Gallimard.
Bonnefoy, Yves (1972) , L’Improbable et autres essais suivi d’Un Rêve fait à Mantoue. Paris, Gallimard.
Celan, Paul (1996), Di soglia in soglia (Von Schwelle zu Schwelle) (Giuseppe Bevilacqua, ed.). Torino, Einaudi.
Coleridge, Samuel Taylor (1939), Biographia Literaria (ed. J. Shawcross). Oxford University Press, Oxford, I.
Derrida, Jacques (2002), Fichus. Paris, Galilée.
Vannini, Angelo (2017), L’intermissione dei cigni. Cinquantanove giorni alla frontiera della letteratura. Osimo (AN), Arcipelago Itaca Edizioni.

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